Ensemble

Assange - Fragmente einer Unzeit (2019)

for voice (female), ensemble and sampler

Duration: 20'
World Premiere
07.11.2019
Muziekgebouw aan't IJ, Amsterdam
Sarah Maria Sun, voice / Ensemble Modern / Enno Poppe

SOMETIMES II (2016/17)

für verstärktes Ensemble, Sampler + 4 Donnerbleche mit Transducern

Kompositionsauftrag des Festivals ‚Heroines of Sound’

UA: 8.7. 2017, Radialsystem-Berlin, Ensemble Mosaik, Dir: Christoph Breidler, Elektronik: Daniel Plewe

Dauer: ca 7 min.

Welcome to all the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi

(weiss ich doch nicht, was die Kunst kann…)! (2014)
for ensemble and Countertenor with Ghettobluster
World Premiere: 01.23.2015 Heilig-Kreuz-Kirche, Berlin-Kreuzberg (Festival Ultraschall)
Daniel Gloger / ensemble recherche

Studien zu Figuren/Serie A (2010/11)

for 7 amplified voices and sampler
Word Premiere: Donaueschingen, Donaueschinger Musiktage, 10. 15. 2011, Neue Vocalsolisten Stuttgart
22′

Der Grüffelo/Grüffelokind (2010/2011)

based on the children-books by Julia Donaldson (mit Stefan Lienenkämper)
for ensemble and puppeteers
Word Premiere: 6.19.2011 Philharmonie Berlin, Scharoun-Ensemble, Hans-Wurst Nachfahren

The Fall of the House of Usher

(music for the silent film by James Sibley Watson and Melville Webber 1928) (2013/14) for big ensemble+solo trumpet (to be played to the film)
1(=picc).1(=corA).1(=bcl).1(=dbn)–1.1(solo trp).1.0–perc(2)–pft-jazz gtr–sampler–strings.
Commissioned by Collegium Novum Zürich and family Schneider
World Premiere: 2. 11. 2014 Zürich, Collegium Novum Zürich, Dir. Jonathan Stockhammer, solo-trumpet Jörg Schneider

Breaking (2012)

Breaking (2012) für verstärktes Ensemble, Sampler und live-Elektronik
Auftragskomposition des Ensemble Mosaik
UA: 13. 12. 2012 Berghain/Berlin
Ensemble Mosaik, Enno Poppe

AUNG (2010/2011)

für inszenierte Sängerin/Performerin, Ensemble und live-Elektronik,
Text: Helga Utz
Kompositionsauftrag von BIT 20 (Norwegen) und Integra/ Birmingham in Zusammenarbeit mit NOTAM (Norwegen)
UA 1. 10. 2011 / The Royal Danish Academy of Musikc, Studio Hall, Kopenhagen
Anna Clementi /BIT 20/Baldur Brönnigmann

Le chien andalou music (2009)

for the same-named film of Louis Bunuel und Salvatore Dali (1929)
for piccolo trumpet b flat, trombone, cello, e-guitar, piano, 2 percussions
(FP: 8. 01. 2010 Konzerthaus Berlin, Werner-Otto Saal
ensemble ascolta, Titus Engel)
duration: 15 min.

A Little Madness in the spring (200/2006)

A Little Madness in the spring (2005/2006) fÃ¼r 18 instruments,
and 3 videos
(FP: Porto 2006) duration: 23min

Zerstören (2005/2006)

for 17 instruments, sampler and tape
(FP: Witten, 2006) duration: 10min

Aus Kindertagen: verloren (2004/2005)

for 8 instruments and tapes
(FP: Köln, 2005) duration: 22min

La Coquille et le Clergyman (2004)

(Musik zum gleichnamigen Film von Germaine Dulac, 1928) for 12 instruments and tapes
(FP: Amsterdam, 2005) duration: 40min

REQUIEM (1998) (with Helmut Oehring)

for 3 countertenors, 12 instruments and tapes,
(FP: Paris/Donaueschingen/BrÃ¼ssel 1998) duration: 55min

A.N.(evita-che guevara-madonna)(1998) (with Helmut Oehring)

for 2 Stimmen, 8 instruments and tapes
(FP: LiÃ¨ge/Brüssel) duration: 15min

im VORMONAT (1998) (with Helmut Oehring)

for 8 instruments
(FP: 1998, Saarbrücken) duration: 17min

Polaroids Melodram (1996) (with Helmut Oehring)

for 1 deaf performer (female), 1 sopran (male), 12 instruments and tapes,
(FP: Donaueschingen, 1996) duration: 22â€™