chamber music

Und doch...(And yet...) (2018/19)

for string quartett
duration: ca 10 min.
World-Premiere: 12.03.2019
Kleiner Sendesaal des NDR, Hannover
Nomos-Quartett
This work is available from Boosey & Hawkes for the world.

BLECHE (SHEETS) (2016/2018)

Concert installation for a miked solo drummer, resonating metal sheets distributed in the room, samples and 2 sound directors
Play version of the solo part: Olaf Tzschoppe
Live electronic realisation: SWR Experimental Studio, Thomas Hummel, Iris ter Schiphorst
World-Premiere: 21.9.2018, PGNM Festival Bremen (Germany), Bremen Gleishalle

Read more … BLECHE (SHEETS) (2016/2018)

Prae-senz II + Felicitas Hoppe (2018)

Version for narrator and amplified piano trio with sampler
Text: Felicitas Hoppe
World-premiere: 4.6.2018, 9th Frankfurt Literature Festival,
Felicitas Hoppe, Ensemble modern
Duration: 45 min.
Commissioned for literaTurm 2018

IN DEINER HAND? (2016/17)

Concert installation for a kettledrum player, six resonating thunderbolts distributed throughout the room, four resonating buckets of tin, a "spring kettledrum" at another location, as well as feeds and sound direction.

Wolrd-premiere: Ljubljana Castle, 29.05.2017, Slovenia at the Luther-Trugar-Project,
Olaf Tzschoppe: timpani, SWR Experimental Studio Freiburg, sound direction: Dominik Kleinknecht, Iris ter Schiphorst
Co-production: SWR Experimental Studio Freiburg, Goethe Institute Ljubljana, Ljubljana Castle

MAKE HIM TALK (2016/17)

to 'après "l'artisanat furieux"' (from 'Le marteau sans maître', VII) by Pierre Boulez
for flute, vibraphone, guitar and sampler (plus amplification), hammer

World-premiere: 13.06.2017, Konzerthaus, Vienna
PHACE-Ensemble, Simeon Pironkoff
Composition commissioned by PHACE and Wiener Konzerthaus
Duration: 3 ½ min.

ZEICHENKASKADEN(2015/16)

Fassung für Sänger (Bass) mit Trommel und 2 Kontrabassklarinetten,

UA: 1601.2016, Andreas Fischer, bass / Ernesto Molinari & Theo Nabicht, doublebass clarinets

Theaterhaus, P1, Stuttgart, Germany

ZEICHENKASKADEN (2015)

für singer (bass) with big drum and 4 Contrabassklarinet-player
Commissioned by Festivals FÜNF PLUS FÜNF” and “Neue Vocalsolisten Stuttgart
Duration 7 ‘
Word Premiere: 9.4. 2015 FÜNF PLUS FÜNF FESTIVAL, St. Elisabeth-Kirche, Berlin Mitte

ORPHEUS 2015/die Aufgabe von Musik (2014/15)

for Contrabassklarinette + tape
dedicated to Theo Nabicht
World-Premiere: 02. 25. 2015 Stadthalle Heidelberg

polar-für Armin Köhler (2015)

Besetzung: Fagott, Posaune, Sampler, Percussion (2), Klavier, Kontrabaß
1 min 30
Commission by “Netzwerk Neue Musik Baden-Württemberg e. V.” in memoriam Armin Köhle
World Premiere: 05.15. 2015 Donaueschingen

meine-keine lieder/die aufgabe von musik (2014)

dedicated to Inge Müller
for amplified female voice/performance, piano/sample-keybaord (1 player) and bass clarinet
World-premiere: 14.3. 2015, Stuttgart,
Salome Kammer, Akiko Okabe, Sebastian Manz

Studien zu Figuren/Serie A (2010/11)

für 7 amplified voices and sampler
World-Premiere: Donaueschingen, Donaueschinger Musiktage, 10.15. 2011, Neue Vocalsolisten Stuttgart

Dead Wire (2011)Psychotechnics of Keyboards/a dissociative fugue

für Solo-Klavier, Sampler und live-Elektronik
UA: Festival eclat 2012, Stuttgart, Christoph Grund

“…aus Liebe” (2013/14) for string quartet

Commission of the Doelen-Quartett and the Eduard von Beinum- Stichting / Netherlands
World Premiere: 01.03.2014, Laurenskerk, Rotterdam, Doelenquartett16′

Miniaturen für Klarinette und Streichquartett (2010)

for clarinet and stringquartet
GP: 19.9.2011 Susaa Festival Denmark, Regine Müller with ‘ensemble 01′

Vergiss Salome (2012)

for female singer and tapes
GP: 4th of december 2013, NDR-Studio Hamburg, Germany, Sarah Maria Sun

dislokationen-2 (2010)

for violin, viola, violoncello, piano+sampler
GP Nov. 2010, Munic, trio coriolis, Christoph Grund

Miniaturen für Cello und Akkordeon (2008)

special prize of the ‘Internationaler Komponistinnenwettbewerb’ 2008

Vielleicht gestern…(2005) für Bassklarinette solo

(FP: October/ 2006, Dresden/Hellerau, 20. Dresdner Tage der zeitgenÃ¶ssischen Musik
Volker Hemken) duration 2min

Hi Bill for bass-clarinet solo (2005)

(FP: 23/10/ 2007 in BKA Berlin) duration: 3min

Changeant (2004)

for voice solo and CD-player ad libitum
(FP: Stockholm, 2005) duration: 9â€™

Für Akkordeon (2002)

for accordion solo
(FP: Krefeld, 2003) duration: 15min

Eden cinema (1995)

(1995) for pepared piano and sample-keyboard
(FP: Berlin, 1996) duration: 17min

Eden cinema II (1996)

for pepared piano + CD-Player ad libitum
(FP: Berlin, 2004) duration: 15min

No Sir (2007) for flute and Paetzold-recorder

(FP: Februar 2007) duration: 9min

Und Pommernland ist abgebrannt/deutsches Schreiben (2003)

for cor anglais, bass-flute, bass-clarinet, CD player and effect machine ad libitum (FP: Berlin, 2003) duration: 12â€™

Wie einen Wasserfisch (2003) for voice and ensemble

(FP: Forbach, Frankreich 2003) duration: 14â€™

My Sweet Latin Lover II

for flute (plugged), e-guitar and live-electronic
(FP:: 2002 Leipzig) duration: 9â€™

My Sweet Latin Lover (2002)

for flute (plugged), sample-keyboard, 2 percussions, 5 E-Gitarren
(FP: 2002, MÃ¼nchen) duration: 14min

Read more … My Sweet Latin Lover (2002)

rumgammeln+warten (2001) (with Helmut Oehring)

for voice (female), deaf performer (female) and ensemble
(FP: 2001, Basel) duration: 23â€™

Gestures (2001)

for 5 voices (male), prepared piano/ sample-keybaord and CD-player
(FP: DÃ¼sseldorf 2001) duration: 11â€™

Etius (2001) (mit Helmut Oehring)

or subbass recorder, bass cl, elec-gtr, pft/sample-keyboard, accordion, 2 perc and live-electronic
(FP: 2001, Oldenburg) duration: 29min

Mischwesen - la tristesse durera (1998) (with Helmut Oehring)

after the poem â€žSilenceâ€œ by Anne Sexton and text by Iris ter Schiphorst and Helmut Oehring,
for deaf performer, 3 trumpets and sample-keyboard
(FP: 1998, Gent / Amsterdam / sâ€™Hertogenbosch) duration: 20min

PRAE-SENZ (Ballet blanc II) (1997)

(with Helmut Oehring)
for violin, cello, preparded piano/sample-keybaord
(FP: Berlin, 1997) duration: 35â€™

Live (of androgyn) (1997) (with Helmut Oehring)

18 songs for voice, violin, cello, preparde piano/sample-keybaord and live-electronic
(FP: Witten, 1997) duration: 25â€™

Nightdances (1992)

for voice, 2 violins, cello, e-bass, synth./sampler
(FP: Berlin, 1994) duration: 8min

Liebesgeschwüre (1991)

or voice, flute, 2 violins, synth./sampler
(FP: Berlin, 1991) duration: 10min

Ballade für einen Bulldozer (1989)

for violin and synthesizer/sampler,

(FP: Berlin, 1990) duration: 9â€™

Ergo sum-pf-maschinerie (1990)

for violin, synthesizer/sampler,
(FP: Berlin, 1990) duration: 9â€™